Harp Making in

Late-Georgian London

At the end of the eighteenth century, after the French Revolution, the centre of pedal-harp making moved from Paris to London. There, building on the work of its Bavarian originators and Parisian developers, mainly immigrant makers elevated the instrument to new musical, technical, and decorative heights, and placed it in the hands and salons of the British upper classes and aristocracy. Until recently, the story of harp making in England has been dominated by the Erard family who built about 7,000 of an estimated 15,000 harps made in London during the nineteenth century; some 20 other makers have been all but forgotten.

This book, the story of harp making in late-Georgian England, assesses the role and consumption of the harp in society whilst describing its decorative and technical development. Forgotten makers and their innovations are identified. Through the lens of newly discovered documents and the reinterpretation of others, Jacob Erat's manufactories are reconstructed. His working methods, illustrative of those used in the wider industry, are rediscovered, and employees and suppliers are revealed anew.

ISBN: 9781527265110

428 pages

Price: £60

Harp Making in

Late-Georgian London

At the end of the eighteenth century, after the French Revolution, the centre of pedal-harp making moved from Paris to London. There, building on the work of its Bavarian originators and Parisian developers, mainly immigrant makers elevated the instrument to new musical, technical, and decorative heights, and placed it in the hands and salons of the British upper classes and aristocracy. Until recently, the story of harp making in England has been dominated by the Erard family who built about 7,000 of an estimated 15,000 harps made in London during the nineteenth century; some 20 other makers have been all but forgotten.

This book, the story of harp making in late-Georgian England, assesses the role and consumption of the harp in society whilst describing its decorative and technical development. Forgotten makers and their innovations are identified. Through the lens of newly discovered documents and the reinterpretation of others, Jacob Erat's manufactories are reconstructed. His working methods, illustrative of those used in the wider industry, are rediscovered, and employees and suppliers are revealed anew.

ISBN: 9781527265110

428 pages

Price: £60

Mike Baldwin

Author / Historian/ Harp Maker

Erat single action (no. 1218)

Erat single action (no. 1218)

Erat single action (no. 1218)

Erat single action (no. 1218)

Erat single action (no. 1218)

Erat single action (no. 1218)

Erat single action (no. 1218)

Harps

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent)

Dizi Perpendicular (1817 patent). Photos by M. Baldwin

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent (c.1813)

Erat double action (no. 1066), 1813 patent. Photos by M. Baldwin

Erat single-action (no. 1531)

Erat single-action (no. 1531)

Erat single-action (no. 1531)

Erat single-action (no. 1531)

Erat single-action (no. 1531)

Erat single-action (no. 1531)

Erat single-action (no. 1531)

Erat double action (no. 1509). Photos by M. Baldwin

Erat single action (no. 1218). Photos by M. Baldwin

Erat Gothic (no. 2139).

Erat Gothic (no. 2139).

Erat Gothic (no. 2139).

Erat Gothic (no. 2139).

Erat Gothic (no. 2139).

Erat Gothic Harp (no. 2139), photos by Dallas Auctions

Erat single-action, no. 690 (c.1808).

Erat single-action, no. 690 (c.1808).

Erat single-action, no. 690 (c.1808).

Erat single-action, no. 690 (c.1808).

Erat single action (no. 690). Photos by M. Baldwin

Grosjean, Harp a la Genlis (c1840).

Grosjean, Harp a la Genlis (c1840).

Grosjean, Harp a la Genlis (c1840).

Grosjean, Harp a la Genlis (c1840).

Grosjean, 'Harpe a la Genlis' (c1840). Photos by Tony Bingham, Old Musical Instruments, London

Erat single action (no.1210)

Erat single action (no.1210)

Erat single action (no.1210)

Erat single action (no.1210)

Erat single action harp (no. 1210). Photos by M. Baldwin

Erat single action (no. 382)

Erat single action (no. 382)

Erat single action (no. 382)

Erat single action (no. 382)

Erat single action (no. 382). Photos by M. Baldwin